- Funding a Free Audiobook Library
Visit The Spoken Alexandria Project for Telltale Weekly audio releases that are currently free. Telltale Weekly is the fundraising side of the project.
Telltale Weekly seeks to record, produce, and sell performances of at least 50 public domain texts per year, with the intention of releasing them under a Creative Commons License five years after their first appearance here (or after a hundred-thousand purchases of the recording, whichever comes first). These recordings will be freely available for download at The Spoken Alexandria Project and other libraries and projects interesteed in redistributing the files.
Recordings that are a part of this cheap-now, free-later program will be clearly marked with the date of "release" at the bottom of Telltale Weekly page. Paying to hear the recordings now (and for the next five years) helps to cover the costs for the production, recording, and bandwidth of the performance you purchase, and supports future releases so that we'll still be producing new audiobooks by the time our first one hits the free world.
So we're looking to build an audiobook equivalent of Project Gutenberg one text at a time. Potentially any free library---online or otherwise--or P2P network will be able to redistribute these recordings with and without the latest compression technologies. Not all work will be sold before its free release.
What does the Creative Commons Attribution Non-Commercial license mean? It means that--after a Telltale Weekly recording has been released under the license--anyone will be free to (a) copy, distribute, display, and perform the work and (b) make derivative works all with two conditions: attribution, and non-commerical use.
Credit to the creators of the work must be given--in each case the author of the text performed, the performer of the work, and Telltale Weekly. And the work may not be resold or otherwise used commercially without permission of the work's creator. Fair use and other rights are in no way affected by the above and the attribution condition may be waived with permission of Telltale Weekly.
Find out more about the Creative Commons Attribution Non-Commercial License here [opens a new window]. Works already announced to be released under a CCL Attribution-only license are unaffected by this change. You can read about the CCL Attribution-only license here [new window].
In the meantime, these recordings offered are DRM free and, once purchased, can be copied as many times as you like for personal use. Please wait until they are released under the license before sharing or distributing.
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Quality Recordings by Compensated Artists
To respect both the listener and the work recorded, The Spoken Alexandria Project/Telltale Weekly is committed to using professional-grade equipment and experienced actors. We believe this gives the listener a much superior experience to the computer-generated "text-to-speech" options available on personal computers today.
In addition to meeting the costs of bandwidth and equipment, Telltale Weekly believes that artists deserve to be compensated. So as low as our audiobook prices are, a significant chunk of a twenty-five cent sale goes to the producer(s) and performer(s) of the work (and/or the author/copyright holders when the text being performed is not yet in the public domain).
Telltale Weekly also believes that you don't have to overcharge customers in order to compensate artists. So we use...
- BitPass and Micropayments
The BitPass payment solution is based on the founding belief that the most important criterion is ease of use. Using Bitpass, Telltale Weekly can offer audiobooks for as little as twenty-five cents each in a system that makes purchasing as easy as surfing the web, with no software downloads or installations required.
Your BitPass account works just like a prepaid phone card, and no personal information is transmitted to the payee (in this case Telltale Weekly). That means you can buy any and every audiobook we offer, and we still won't know it's you (or even that it's the same person). As one Bitpass user said, "Short of being able to stick a quarter in your floppy drive, I'm not sure how much easier it could be."
Bitpass is a great way to support independent artists and a great way for artists to ask for support. Check out comic creator Scott McCloud's The Right Number [new window] or some of the other listings at Bitpass.com [new window] for more Bitpass offerings and information.
Let us know what you think of Bitpass. We also allow for Paypal shopping cart purchases for combined orders of $3 or more, but Bitpass and micropayments are what makes this site possible.
- DRM-Free MP3, AAC, and Ogg Vorbis Audio
All recordings at Telltale Weekly and The Spoken Alexandria Project are DRM-free (meaning they are offered without Digital Rights Management technology which limits what you can do with the recordings).
So once you've paid for and downloaded a recording, you can copy it as many times as you like for your personal use, on as many players, computers, and CD-Rs as you like. We only ask that you don't share or redistribute the work, though you may buy a recording for a friend. Many of the recordings will be released under the Creative Commons License eventually anyway (see above). Your patience allows us to continue releasing audiobooks at incredibly low prices.
In additon to the popular MP3 and AAC formats, all recordings at Telltale Weekly are available in the Ogg Vorbis open, free audio compression standard (.ogg). Thomson Multimedia, the creators of MP3 compression, requires that a 2% royalty be paid to them for any commercial use of the their codec if gross revenues surpass $100,000 annually (we should be so lucky). In support of Ogg Vorbis, Telltale Weekly will voluntarily donate 2% of Ogg Vorbis revenue to the Xiph.org Foundation (creators of Ogg Vorbis) annually, regardless of total revenue. This is in addition to the 1% of all gross revenue that will be donated to Xiph.org (see Charitable Giving, below).
Your favorite MP3 player doesn't support Ogg Vorbis? Tell the manufacturer about it. Here's [new window] the feedback form for the iPod, which is as good a place as any to start. And visit Vorbis.com [new window] to learn more about Ogg Vorbis.
Let us know if you have another format you'd prefer, or have any comments about the current offerings.
- Charitable Giving
Nobody wants to wait five years before their work does the world any good. So 7% of Telltale Weekly's gross revenues will be annually distributed evenly to seven related charities. 2004 charities include:
- Ashoka
Investing in unprecedented world-changing ideas.
- Electronic Frontier Foundation
Defending Freedom in the Digital World
- Geekcorps
Technology volunteers enabling communities worldwide.
- Project Gutenberg
The internet's oldest producer of free electronic texts.
- Recording for the Blind and Dyslexic
The nation's educational library for those with print disabilities.
- Wikimedia Foundation
Maintaining and Developing Open Content
- Xiph.org*
Building a new era of open multimedia.
* This is in addition to the 2% of all Ogg Vorbis revenue donated to Xiph.org annually.
The above links will open new windows in your browser. Click on them to learn more about each charity. Other than these donations, Telltale Weekly is in no way affiliated with any of the above charities. Suggestions for 2005 charities welcome.
Press
See the Alex Wilson Studios Press Kit for more information, including hi-resolution photos for media use.
"Project Gutenberg is well known for offering free electronic versions of famous public-domain texts. Now Telltale Weekly wants to be its audiobook equivalent."
"An ambitious new project... incredibly low prices..."
"...sells about 100 human-read audiobooks at discount prices... all works are DRM-free, and available in MP3, AAC, and Ogg Vorbis formats." -- MacWorld, November 2005
"As a certified audiobook addict, this is as exciting an idea as I've heard
in a long, long time."
"TellTale Weekly is a new, low-cost audio book service selling titles from the public
domain. You can buy books for less than a dollar and place them on your portable
music player or computer."
"My cup runneth over. And there's good karma at Telltale: after five years or 100,000
downloads, TTW will release each track into the public domain under a CC license;
also, partial proceeds from Ogg downloads are donated to the Xiph Foundation,
who support Ogg development."
"[A Song Before Sunset] has been languishing unreprinted until this exceptional audio edition was
released. Production value is high, the sound is exceptionally clear and the readingis lightly,
and appropriately accented with music. Alexander Wilson's reading is haunting and restrained,
matching the mournful tone of this short story."
"It's not easy to find good, cheap, DRM-free audiobooks and Telltale Weekly looks like
a pretty cool new provider of such work."
"If they can't make a go of this, it's proof that the democratization of media, importance of fair use and customer trust and all the rest are just pipe dreams."
Purchasing Read Me
Audio files may be purchased using a Bitpass account or PayPal account. Bitpass allows anonymous purchases in small increments (so you can buy just one 25-cent recording at Telltale Weekly and be on your way), and PayPal allows multiple purchases with one receipt (with a $3 minimum per purchase).
You may make unlimited copies of purchased audio files for personal use on an unlimited number of computers, portable devices, and CDRs.
Audio files purchased at Telltale Weekly may not be redistributed or shared online or off. They say that selling DRM-free digital files invites piracy (and ironically that giving people what they want is no way to run a business). Let's prove them wrong. In the case of the many Telltale Weekly recordings that will be released free eventually (see MissionMission, above, for details), this audio also may not be redistributed or shared until it is released with a Creative Commons License (5 years or 100,000 purchases after a piece's first appearance at Telltale Weekly, whichever comes first).
EXCEPTION: Users may freely redistribute purchased recordings to the print disabled--including but not limited to the blind and dyslexic--so long as public access to the work is reasonably restricted, and those receiving such a redistribution are not charged for the use of the recordings.
All downloaded files are zipped (compressed and collected for easy opening on most computers) and, depending on operating system, may require a third party unzipping tool. Telltale Weekly recommends Stuffit Expander from Aladdin Systems, Inc., free for Windows and Mac [links open in a new window]. Info-Zip [new window] offers an unzipping tool for just about any other operating system.
If a zipped file will not open, check the size of your zip file. Most problems, especially if you are on a dialup internet connection and are downloading one of the larger audiobook files, are due to incomplete downloads. Try downloading the file again.
Javascript and cookies must be enabled to use Bitpass. You may download a Bitpass-purchased audio file up to 10 times within 10 days of your purchase. All subsequent downloads must be made on the same computer (with the same browser) originally used to purchase the file. It's a cookie thing.
Bitpass shares no information with Telltale Weekly, except what was purchased and how many times. So we don't get your personal information, but you don't get a practical receipt. Kind of like buying a gumball. Use the feedback form if you experience any difficulty.
Those purchasing via PayPal should receive an email confirmation with download instructions within a few minutes of making a purchase (please note $3 minimum total for Paypal orders). However, PayPal users should note that "eChecks" are not an "instant" payment method and may take 3-4 days to clear/process before download instructions are sent.
A reading/performance/recording of a text is ONE interpretation, and not THE interpretation, and quite possibly not YOUR interpretation. While faithfulness to the author's text and intent is generally attempted, mistakes may be made and opinions may vary.
Telltale Weekly believes that works of the past should be able to be discussed critically both by considering the context in which they were written and by looking through the lens of today. It is the policy of Telltale Weekly to not remove any potty language or bigotted crazytalk from the original texts, so that accurate examinations may be possible. Parents are encouraged to review any recording before playing it for their young ones.
Performance of a given text or the availability of a specific recording is not necessarily an endorsement of the text in question by Telltale Weekly or Alex Wilson Studios LLC.
Email addresses are never bought, sold, shared, or otherwise abused. Visitors will not be added to the Telltale Weekly update list or be sent any additional offers by filling out the feedback form or contributor forms, or by making a purchase via PayPal or Bitpass. Please review the privacy policies of PayPal and Bitpass for information about how your information is stored and used on their ends.